In the lyrical language of the Sixteenth Century, the use of irony as an affirmation of personal dignity is a fact, above all, of female poetry. Perhaps, it is precisely this accentuation of a concrete and unconventional subjectivity that marks the passage from Bembo’s Petrarchist classicism to modern lyric poetry.
Lirica e ironia nella poesia femminile del Rinascimento
Giorgio Forni
2024-01-01
Abstract
In the lyrical language of the Sixteenth Century, the use of irony as an affirmation of personal dignity is a fact, above all, of female poetry. Perhaps, it is precisely this accentuation of a concrete and unconventional subjectivity that marks the passage from Bembo’s Petrarchist classicism to modern lyric poetry.File in questo prodotto:
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