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EnglishThe scene from the Straits is located at the centre of a peremptory theatrical révanche scripted by a Sicily, and more generally by a South, as battered as it is vital. Incapable of configuring itself as a hyperplace and, nonetheless, far from the late nineteenth-century canon of the non-place, the Straits escapes easy classifications, experiments, perhaps because of its own theatrical production, the attempt at a certain certification of itself, tortuous to the point of finding new forms of birth. It is almost the concealment of a cadaver, of a silent withdrawal from the nomination (and thus the recognition) of reality.
| Titolo: | La scena dello Stretto. L'angusto teatro di un'identità culturale di passaggio |
| Autori: | |
| Data di pubblicazione: | 2010 |
| Rivista: | |
| Abstract: | The scene from the Straits is located at the centre of a peremptory theatrical révanche scripted by a Sicily, and more generally by a South, as battered as it is vital. Incapable of configuring itself as a hyperplace and, nonetheless, far from the late nineteenth-century canon of the non-place, the Straits escapes easy classifications, experiments, perhaps because of its own theatrical production, the attempt at a certain certification of itself, tortuous to the point of finding new forms of birth. It is almost the concealment of a cadaver, of a silent withdrawal from the nomination (and thus the recognition) of reality. |
| Handle: | http://hdl.handle.net/11570/1907069 |
| Appare nelle tipologie: | 14.a.1 Articolo su rivista |
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