Today few of the plays of Dion Boucicault (1822-1890) are considered worthy of critical attention: the enormous success he had in his lifetime backfired when theatrical tastes changed and even now he is often considered, undeservedly, a mere show-businessman and hack writer. This critical analysis of some of his less studied plays shows the Irish playwright’s unique perspective on Victorian society: his controversial views on the family, the law, and religion, his attempt to lend a voice to those who had been marginalised by a culture he did not feel his own.

The Uncompromising Victorian The Law and the Family in the Plays of Dion Boucicault

Maria Serena Marchesi
2017-01-01

Abstract

Today few of the plays of Dion Boucicault (1822-1890) are considered worthy of critical attention: the enormous success he had in his lifetime backfired when theatrical tastes changed and even now he is often considered, undeservedly, a mere show-businessman and hack writer. This critical analysis of some of his less studied plays shows the Irish playwright’s unique perspective on Victorian society: his controversial views on the family, the law, and religion, his attempt to lend a voice to those who had been marginalised by a culture he did not feel his own.
2017
anglica. Studi e testi
978-884675010-5
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11570/3118510
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