In the case of Italian Futurism, the recursiveness to theatre, to the relationship between stage and audience as metaphor, creates more than one disorientation. Hence, it is fair to reiterate, how the misunderstanding of a theatre’ssupremacy, in the context of the Italian avant-garde, generates a brilliant paradox which leads to a revaluation, in the light of Performance Studies, of theatricality of movement founded by Marinetti.

Theatricality of Futurism. The Avant-garde as a Performative Paradigm

Dario Tomasello
2023-01-01

Abstract

In the case of Italian Futurism, the recursiveness to theatre, to the relationship between stage and audience as metaphor, creates more than one disorientation. Hence, it is fair to reiterate, how the misunderstanding of a theatre’ssupremacy, in the context of the Italian avant-garde, generates a brilliant paradox which leads to a revaluation, in the light of Performance Studies, of theatricality of movement founded by Marinetti.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11570/3296320
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