This article aims to analyse S.T. Coleridge’s theory of suspension of disbelief and poetic faith, which seems to overshadow a conception of the literary work as displaying a “separate universe” capable of reconfiguring the experience of everyday reality. This theory, particularly through the mediation of Owen Barfield, exerts a considerable influence on J.R.R. Tolkien’s essay On Fairy-stories, which enters subtle controversy with Coleridge and opposes and opposes the suspension of disbelief with his “Secondary Belief”. The difference between the two authors can shed light on dissimilar conceptions of the ontological status of the fictional worlds.

Suspension of disbelief” vs. “Secondary Belief”: fictional worlds in Coleridge and Tolkien

Paolo Pizzimento
2024-01-01

Abstract

This article aims to analyse S.T. Coleridge’s theory of suspension of disbelief and poetic faith, which seems to overshadow a conception of the literary work as displaying a “separate universe” capable of reconfiguring the experience of everyday reality. This theory, particularly through the mediation of Owen Barfield, exerts a considerable influence on J.R.R. Tolkien’s essay On Fairy-stories, which enters subtle controversy with Coleridge and opposes and opposes the suspension of disbelief with his “Secondary Belief”. The difference between the two authors can shed light on dissimilar conceptions of the ontological status of the fictional worlds.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11570/3300209
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